19 Media scholar Chen Lidan defines xuanchuan as “Using various symbols to communicate a certain concept in order to influence people's thought and their actions.” Chen, L., “Yong shishi shuo hua shi xuanchuan fangfa er bu shi xinwen xiezuo guilu” (“Using facts to write news is a propaganda method and not a rule to write news reports”), Renmin wang (People's Net) (2003).
An in-depth interview was thereafter conducted to provide an explanation for journalists’ attitude towards new media as well as to answer the research questions 2 and 3. A total of 12 respondents who left their contact information were recruited as interviewees. Given that media convergence is a process of integration among all newspaper offices within one press group, the recruitment of the interviewees was conducted with the press group unit rather than the single newspaper office. Apart from journalists, the leadership and editors of new media centres who had worked in the newspaper newsroom were also recruited as interviewees to obtain an improved understanding of the influences of media convergence on the press industry. The different degrees of experience in news gathering and editing of these directors and editors could be beneficial, particularly their insider’s viewpoint, which will compliment and support that of the journalists. From February to March 2016, the authors recruited eight directors or editors of new media centres for in-depth interviews through snowball sampling.
Zuìjìn yóu Xiàwēiyí Dàxué Chūbǎnshè chūbǎn de “ABC Hàn-Yīng Yànyǔ Cídiǎn” bāohán le yuē 4000 duō tiáo Hànyǔ yànyǔ, gēnjù Hànyǔ Pīnyīn zhuǎnlù hé Hànzì (biāozhǔn jiǎntǐ), ànzhào yànyǔ shǒu cí de zìmǔ shùnxù páiliè, fùdài de Yīngwén shūmiàn zhíyì (rú bìyào yě huì cǎiyòng yìyì). Qítā nèiróng bāohán: jiǎnyào yòngfǎ zhùshì, láiyuán, bìngxíng biǎodá, cānzhào yǐnyòng yǐjí yìngyòng shílì. Yànyǔ shì yóu yī ge guānjiàncí (Zhōng-Yīngwén) suǒyǐn zēngbǔ de, tǐxiàn zài suǒyǒu shèjí de cítiáo hé huàtí li. Biānzhě duì zhèxiē yànyǔ zài chuántǒng yǔ dāngdài Zhōngguó li de dìngyì, jiégòu, yòngtú hé lìshǐ jìnxíng le xuéshù jièshào, lièchū le wénxiàn jí hé xiāngguān yànyǔ de xuéshù yánjiū.
Zhu Ya Wen is a Chinese actor. Born on April 21, 1981, he made his acting debut in the 2005 television series “Yang Guang Yu Ji.” He has since appeared in many films and television dramas, including the recent “Red Sorghum” (2014), “Say No for Youth” (2015), “Two Families” (2016), “City Still Believe in Love” (2016) and “Across the Ocean to See You” (2017). Zhu Ya Wen married actress Shen Jia Ni in 2013.
Two alternative paths are presently available for the local press industry to thoroughly address the issue of content for new media outlets. The first path is to remove the administrative hierarchy between metropolis newspapers and party organs, with the new media centre providing news to both newspapers and new media outlets for further editing. In this case, the new media outlets are not incorporated into the new media centre but remain at the same administrative level as the traditional media departments. Hence, the vertical communication between the new media centre and various new media outlets increases, yet the horizontal interaction between newspapers and new media outlets dramatically reduces. The second path is to insulate the newspapers from converging news production, with the centre producing content independently for new media outlets.
The press groups in Fujian have adopted the extendedly ameliorated path of media convergence. Firstly, they hired a technology company to establish a platform for converging news production. Secondly, a new media centre was established. Thirdly, a group of editors from the press newsroom were transferred to the centre to handle the new media outlets, particularly the website, Weibo, Wechat and APP. Lastly, a process reconstruction of the news production was undertaken by uniformly importing information from multiple sources into the centre for processing and delivering to new media outlets.
Lā Qiáolā (La Jolla), Jiālìfúníyàzhōu -- Wénlín Yánjiūsuǒ Shèhuì Mùdì Gōngsī (SPC), Wénlín Hànyǔ Xuéxí Ruǎnjiàn 4.2 bǎn fāxíng gōngsī, xuānbù chénglì dì-yī rèn dǒngshìhuì. Dǒngshìhuì chéngyuán bāokuò: Xiàwēiyí Dàxué Mǎnuò'ā Xiàoqū Zhōngguó Yánjiū Zhōngxīn fùzhǔrèn, Kǒngzǐ Yánjiūsuǒ zhǔrèn Rèn Yǒuméi (Cynthia Ning) bóshì; Shèngdìyàgē Zhōulì Dàxué Zhōngwén Xiàngmù gùwèn, “Měiguó Zhōngwén Jiàoshī Xuéhuì Zázhì” zhǔbiān Zhāng Zhèngshēng (Zheng-sheng Zhang); Richard Cook bóshì (yánjiū yǔ kāifā fùzǒngcái); Elisabeth Nuboer-Ranjhan (zhànlüè guānxì fùzǒngcái); Mark Roblee(yíngxiāo fùzǒngcái) hé Tom Bishop (zǒngcái).
As a manifestation of the administrative barrier within Fujian’s press groups, the estrangement between metropolis newspaper offices and the new media centre has a further impact on the relationship between journalists and editors. Even when providing news, metropolis newspaper journalists are rather reluctant to invest time and energy and are less willing to cooperate with editors than their counterparts from the party organ due to lack of support from departmental leaders. Hence, conflicts over role misplacement frequently occur during their communication with the editors of the new media centre.
Though holding relatively positive attitude towards new media as revealed in the survey, local journalists in Fujian’s press groups did not embrace the convergence with new media enthusiastically. The main change brought about with the convergence, after the establishment of the new media centre and the reconstruction of the news production workflow within Fujian’s press groups, is the journalists being currently expected to feed news to the centre so that the gap of contents for the new media outlets will be filled. During the interviews, directors, editors and journalists unanimously agreed that media convergence enhanced the requirements for timeliness and accuracy of news production as well as increased the intensity of journalists’ workload, but failed to radically alter the methods of selecting and writing news, thereby bearing no significant influence on journalists. A few journalists indicated their willingness to commit immediately to the convergence of news production; however, other journalists refused to cooperate with the new media centre.
The impetus for junior journalists to participate in the converging news production is the same consideration that prevents senior journalists from collaborating with the new media centre, that is, to achieve the balance between gain and cost. The industry and the journalists ‘inside the system’ (tizhinei) are likely to opt for political safety over financial return, whereas their counterparts ‘outside the system’ (tizhiwai) ascribe considerable importance to the latter than the former.
Before and after 2009, all major press groups in Fujian started to establish e-newspapers and transfer the newspaper contents to their official news websites to cope with the loss of readers as a result of the prevalence of computer technology as well as to maintain and expand the influence of traditional media. The popularity of Weibo and WeChat emerged between 2011 and 2012, thereby prompting the local press groups in Fujian to try out both platforms. During this period, newspapers were the pillar of the press groups’ revenue. Within most press groups in Fujian, Weibo and WeChat remained under the operation of newspaper editors and journalists on a part-time basis and received limited emphasis from the leadership.

Though holding relatively positive attitude towards new media as revealed in the survey, local journalists in Fujian’s press groups did not embrace the convergence with new media enthusiastically. The main change brought about with the convergence, after the establishment of the new media centre and the reconstruction of the news production workflow within Fujian’s press groups, is the journalists being currently expected to feed news to the centre so that the gap of contents for the new media outlets will be filled. During the interviews, directors, editors and journalists unanimously agreed that media convergence enhanced the requirements for timeliness and accuracy of news production as well as increased the intensity of journalists’ workload, but failed to radically alter the methods of selecting and writing news, thereby bearing no significant influence on journalists. A few journalists indicated their willingness to commit immediately to the convergence of news production; however, other journalists refused to cooperate with the new media centre.
Yóulǐkǎ (Eureka), Jiālìfúníyàzhōu -- Shéi céng xiǎng zhìzuò gènghǎo de Hànyǔ xuéxí ruǎnjiàn huì gǎibiàn Yàzhōu jìsuànjī shìjiè? Wénlín Yánjiūsuǒ fābù le zuìxīn bǎn de jiàoyù ruǎnjiàn, bìng tuīchū yī zhěngtào yòngyú chǔlǐ Zhōngwén, Rìwén hé Hánwén (CJK) zìfú de quánxīn móshì. Zhè yī qīdài yǐjiǔ de bǎnběn tuīchū zhī shí zhèngzhí Hànyǔ xuéxí kè ruǎnjiàn duǎnquē, duì jìsuànjī hé zhìnéng shǒujī kāifāzhě Yàzhōu shìchǎng de wèilái yùcè sìqǐ de shíqī. Shǒuxí zhànlüèjiā Yīlìshābái Lánzhān (Elisabeth Nuboer-Ranjan) yīzhēnjiànxiě de zhǐchū, “Wénlín duì shǒuzhǐ cāozuò shèbèi jìshù hé OCR jìshù de yǐngxiǎng jiāng huì hàndòng zhège hángyè.” Zhè shì zhōngduān yònghù de hǎo xiāoxi, dàn dāng kāifāshāng jìnxíng xiāngyìng tiáozhěng shí kěnéng huì jīfā zhèndàng.
Understanding why most interviewed journalists also asserted that the assumptions that ‘multi-skilled journalists’ who can write, photograph and edit is unrealistic (if not entirely unreasonable), and claimed that newspaper journalists should be differentiated from specialised new media journalists who will transform into expert-type journalists in the future by delivering objective, rational and in-depth reportage on a certain subdivided domain. In this conception, new media practitioners remain quite distinct from their peers from the traditional media. However, such a difference has undergone slight changes, that is, traditional media practitioners have begun to admit and accept the possibility that their new media counterparts may be professionalised in the domain of news production. Journalists are consulting about their roles in reference to new media, although they are more inclined towards constriction rather than extension when adjusting their professional boundaries.

The first phase of China’s media reform, that is, the marketisation of Chinese media, began when the State Administration of Publication on the National Press Managers’ Conference officially announced in December 1978 the decision to pursue the business operation of newspapers. Accordingly, a media system with Chinese characteristics, that is, the ‘enterprise management of institutions’, was established. In 1983, the Central Committee of the Communist Party of China promulgated Document No. 37 to encourage business operation within media organisations.
Only six days after the first Mop post about the video, the kitten killer’s home was revealed as the town of Luobei in Heilongjiang Province, in the far northeast, and her name — Wang Jiao — was made public, as were her phone number and her employer. Wang Jiao and the cameraman who filmed her were dismissed from what the Chinese call iron rice bowls, government jobs that usually last to retirement and pay a pension until death.
Last year or the year before, I went to the trial over a deputy mayor in Fuzhou. Only another journalist and I went to the whole course of the first trial. He (a newspaper department supervisor) demanded strictly at that time that the number of online figures could not exceed 500. Plus, the next day he scolded (another journalist) in a loud voice, ‘It’s too foolish of you to have (only) offered them the lead of the foregoing news. You should have cut out a bit from each paragraph. You giving these 500 figures to others, who would read the newspaper?’ (Interviewee No. 14)
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