The impetus for junior journalists to participate in the converging news production is the same consideration that prevents senior journalists from collaborating with the new media centre, that is, to achieve the balance between gain and cost. The industry and the journalists ‘inside the system’ (tizhinei) are likely to opt for political safety over financial return, whereas their counterparts ‘outside the system’ (tizhiwai) ascribe considerable importance to the latter than the former.
After 2008, ‘full-media’ became a keyword with which scholars discussed China’s press industry. Studies that focus on the effects of full-media are categorised into two approaches: media economics and media performance approaches. The media economics approach generalises the experience and lessons of convergence practices and evaluates the influence of media convergence on newspaper development mostly from a business operation perspective by adopting case studies combined with the personal observation of researchers (cf. Tang and Cao, 2015; Yang, 2013). By contrast, the media performance approach analyses the method of content delivery on the new media platforms of newspapers as well as predicts (through content analysis) the influence of convergence on the progress of society’s democratisation from the media ethics perspective (cf. Huang, 2013; Cai, 2011).
Ding, FZ, Wei, L (2014) Occupational dilemma of China’s journalists in an era of social media: A study of journalists’ occupational discourses on Weibo in Journalists’ Day from 2010 to 2014 (Shehuihua meiti shidai zhongguo xinwenren de zhiye kunjing: Jiyu 2010–2014 nian ‘jizhejie’ xinwenren weibo zhiye huayu bianqian de kaocha). Shanghai Journalism Review (Xinwen jizhe) 12: 3–9.

Wénlín de héxīn shǐmìng, rú gōngsī xīn zhāngchéng zhōng suǒ guīdìng, shì wèile bāngzhù rénmen xuéxí yǔyán, zhǔyào shì Hànyǔ hé Yīngyǔ; cùjìn bùtóng wénhuà jiān de jiàoyù, lǐjiě, xīnshǎng, hépíng, hézuò, tuánjié yǐjí duōyàngxìng; fāzhǎn yǔyán hé jiàoyù kēxué, jìshù hé jìqiǎo. Duìyú Wénlín Hànyǔ Xuéxí Ruǎnjiàn hé ABC xìliè cídiǎn dāngqián jí wèilái de yònghùmen, chúle tōngguò wéihù, kuòzhǎn, gǎishàn, xǔkě hé chūbǎn zhèxiē zuòpǐn hé qítā zuòpǐn lái zhīchí tāmen, Wénlín hái zhìlìyú wéihù zhèxiē zuòpǐn de wánzhěng, shēngyù hé yuánzé, bǐngchéng le tóngshí shǐyòng pīnyīn (pīnyīn wénzì) hé Hànzì (gèzhǒng xíngshì de Hànyǔ wénzì) de yuánzé miànxiàng Hànyǔ xuéxí, zhēng chuàng zhǔnquèxìng, xuéshùxìng, kěkàoxìng, gōngpíngxìng, xiàoyòng hé zhìliàng de zuìgāo biāozhǔn. Cǐwài, zuòwéi yī ge SPC zǔzhī, Yánjiūsuǒ huì chuánshòu wǒmen de zhuānjiā tuánduì shǐyòng de jìnéng, ràng hòurén yánxù wǒmen de shìyè.
Conversely, although the Chinese government has promulgated a series of laws to regulate the content on the Internet since the implementation of the Interim Provisions on Internet Publication Management in 2002, commercial we-media have gained highly substantial market return by virtue of the size effect and flexibility of user-produced contents. Given that the main rival of Fujian’s local journalists for the role of opinion frontrunner in information dissemination does not undergo the direct regulation of the publicity sector, the ‘VIPs’ of we-media have public credibility that is comparable to that of traditional media.
Specifically, information released in new media outlets emphasise timeliness. The irreconcilable conflict between such requirement and the principle of accuracy in news reportage concerns many journalists. In China, the common rule of thumb in terms of news production is that ‘the writer is responsible for the consequences of this article’. Journalists are obliged to take full responsibility for all issues engendered by the news under their name. The risk of ‘more mistakes with more releases’ is a shadow that follows news production as a by-product of the censorship system. Thus, the journalists in Fujian’s press groups disregard the new system of censorship as a ‘buffer’ that could protect them from various risks, particularly political ones. When journalists believe that the risk they may undertake outweighs the financial return they will attain, they choose not to cooperate.
In general, similar to most local press groups in China, Fujian’s press groups have started advancing the convergence between newspapers and new media (i.e., in the news production area) only during the past two years without radically altering the existing system of the industry, that is, not touching the core zone of the media convergence–structure adjustment and business operation convergence. Therefore, the Fujian press industry makes a proper case of analysis for this study due to its typical nature in terms of convergence progress and path selection.
Wénlín CDL JavaScript shǐyòng Wénlín Zìxíng Miáoshù Yǔyán (CDL) kāifā: CDL shì yī ge XML yìngyòng chéngxù, yī ge jīyú biāozhǔn de zìtǐ hé biānmǎ jìshù, yòngyú jīngquè, jǐncòu de miáoshù, xiǎnshì hé suǒyǐn suǒyǒu Hàn zìfú (Zhōng-Rì-Hán-Yuè=CJKV), bāokuò biānmǎ hé fēi biānmǎ zìfú. Wénlín CDL jìshù dǎpòle 64k zìxíng de zhàng'ài, bù chāoguò 1.4 zhàozìjié biànkě huòdé quántào Unicode 7 CJK zhīchí, tóngshí yěshì nèi zhìyú zìtǐ de jiějué fāng'àn, dúlìyú shǒuxiě shíbié. Wénlín CDL shì yī xiàng gémìngxìng de héxīn jīchǔ jiégòu jìshù, wèi shùjù jiégòu, shùjù cúnchǔ hé shùjù jiāohuàn tígōngle jiānrúpánshí de kuàngjià. Wenlin CDL jìshù kě wúxiàn kuòzhāng Unicode jí, nénggòu bǐ qítā jìshù gèng kuài, gèng zhǔnquè de dú qǔ, shūxiě bìng shíbié CJKV zìtǐ. Tā jiāng chéngwéi CJKV zìtǐ shūrù, suǒyǐn, shíbié hé shūchū de diǎnfàn. Wénlín CDL duì CJKV xùliè jìnxíng páixù. Yù liǎojiě Wénlín CDL jìshù de gèngduō xiángqíng, qǐng diǎnjī cǐchù.
The term ‘convergence’ was firstly presented in the 1980s (Menke et al., 2016). Convergence was used to describe the phenomenon where the boundary between different forms of communication blurred in the context of new media with a strong technical colour at the beginning. Most of the early studies on convergence were focused on the innovation of medium technology. The social influence of convergence has gradually unfolded with the development of computer technology and communications networking since the 1990s. Journalism researchers have concentrated on the production process, as well as newsroom routine and culture, thereby endowing the concept of ‘convergence’ with a unique social implication (Quinn, 2005).
Lāqiáolā (La Jolla), Jiālìfúníyà zhōu—Zhōngwén Xuéxí Ruǎnjiàn Wénlín hé CDL zìtǐ jìshù de kāifā shāng——Wénlín Yánjiūsuǒ xīn tuīchū de «Hàn-Yīng yànyǔ cídiǎn» ruǎnjiàn bǎn xiànyǐ zhīchí fántǐzì, cídiǎn yóu Yuēhàn Luōsēnnuò (John S. Rohsenow) biānjí. Xiàndài yǔyán qīkān duì Luōsēnnuò (Rohsenow) cídiǎn de píngjià shì “ dàigěi rén yúkuài tǐyàn, yìyú shǐyòng ... Wèi pǔtōng Yīngyǔ dúzhě kāiqǐle Zhōngguó mínjiān zhìhuì de bǎokù ... duì rènhé jíbié de yǔyán xuésheng hé rènhé xūyào jīngpì géyán de rén dōu shìjí jù xīyǐnlì qiě shífēn shòuyì de” (89, 2005). Yóu Wénlín Yánjiūsuǒ (zhǐ zhì bǎn de biānzhì zhě) kāifā de xīnbǎn ruǎnjiàn wèi xuéxí yànyǔ zhè yī bǎoguì zīyuán zēngtiānle xīn de wéidù. Gāi ruǎnjiàn bǎnběn yīng yǔ Wénlín Hànyǔ Xuéxí Ruǎnjiàn 4.1 huò gèng gāo bǎnběn jiéhé shǐyòng. Yōngyǒu Wénlín qiángdà de ABC Diànzǐ Cídiǎn de quánbù jíhé, yìwèizhe jiǎntǐ hé fántǐ Zhōngwén de dúzhě kěyǐ shíshí fǎngwèn gèzhǒnggèyàng de cítiáo yǐ tànqiú Luōsēnnuò jiàoshòu jīngliáng fānyì de wēimiào zhī chù, bìng lǐjiě Zhōngwén yànyǔ gèng shēnkè de hányì. Shìyòng yú suǒyǒu liúlǎnqì de bǎnběn zhèngzài jījí kāifā zhōng. Zhè yī xīn diànzǐ bǎn de shòuzhòng wèi pǔtōng Yīngyǔ hé Hànyǔ dúzhě, yǐjí rénlèixué, yǔyánxué, wénxué, shèhuìxué, xīnlǐxué, lìshǐxué zàinèi de gèzhǒng lǐngyù de zhuānjiā. Xīnbǎn Wénlín 4.2 huò gèng gāo bǎnběn de ruǎnjiàn kě fǎngwèn https://www.wenlinshangdian.com wǎngshang gòumǎi, shòujià wèi 19.99 Měiyuán. Zuìjìn yóu Xiàwēiyí Dàxué Chūbǎnshè chūbǎn de «ABC Hàn-Yīng Yànyǔ Cídiǎn» bāohánle yuē 4000 duō tiáo Hànyǔ yànyǔ, gēnjù Hànyǔ Pīnyīn zhuǎnlù hé Hànzì (biāozhǔn jiǎntǐ), ànzhào yànyǔ shǒucí (詞/词 cí) de zìmǔ shùnxù páiliè, fùdài de Yīngwén shūmiàn zhíyì (rú bìyào yě huì cǎiyòng yìyì). Qítā nèiróng bāohán: jiǎnyào yòngfǎ zhùshì, láiyuán, bìngxíng biǎodá, cānzhào yǐnyòng yǐjí yìngyòng shílì. Chúle yànyǔ zhīwài, zìdiǎn hái dàiyǒu guānjiàncí suǒyǐn (Zhōng-Yīngwén), bāokuò suǒyǒu shèjí de cítiáo hé huàtí. Biānzhě duì zhèxiē yànyǔ zài chuántǒng yǔ dāngdài Zhōngguó shèhuì zhòngdì dìngyì, jiégòu, yòngtú hé lìshǐ jìnxíngle xuéshù jièshào, lièchūle wénxiàn jí hé xiāngguān yànyǔ de xuéshù yánjiū.
6 J.J. Kennedy, “Maintaining popular support for the Chinese Communist Party: the influence of education and the state-controlled media,” Political Studies, Vol. 57, No. 3 (2009), pp. 517–36; Chen, X. and Shi, T., “Media effects on political confidence and trust in the People's Republic of China in the post-Tiananmen period,” East Asia: An International Quarterly, Vol. 19, No. 3 (2001), pp. 84–118.
Such a characteristic of we-media has further squeezed the price bidding space of the new media of Fujian press industry in the area of content in local journalists’ eyes. What is worse, the procedure of three-phase censorship that deviates from the logic of new media is not strictly followed during the course of converging news production. Delays in the course of censorship have not only impaired the market competitiveness of the new media in terms of content, but also considerably reduced the willingness of journalists to collaborate with the new media centre.
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