The authors adopted a semi-structural interview and provided an outline for the journalists that mainly revolved around the following nine questions: (1) When did you start using new media in your daily work? (2) What is your reason for using new media? (3) What do you think is the role of new media in news production? (4) What measures have been adopted by the press group that you are currently working for in terms of media convergence? (5) Did such measures result in changes in your daily work? If yes, what are such changes? What can you say about these changes? (6) How do you interpret the effects of media convergence on journalists based on your personal experience? (7) What is your overall evaluation of the media convergence within the press group you are working for? (8) Are you aware of the measures of other press groups in terms of media convergence? What is your opinion on their measures? (9) What can you say about the viewpoint of the local press industry that media convergence is the way out for its current predicament? Specific to the interviewees of other categories, the questions varied in terms of how they are stated and their order of arrangement.
Moreover, the major criteria of the present press industry in Fujian regarding job performance of new media editors involve the read count of postings and the number of fans. From the perspective of journalists, behaviour that editors repeatedly demand from the frontline journalists includes nothing more than ensuring the timeliness of press release. Their compliance is somehow related to the job performance evaluation of the editors themselves, thereby resulting in the additional decline in the willingness for coordination.

Understanding why most interviewed journalists also asserted that the assumptions that ‘multi-skilled journalists’ who can write, photograph and edit is unrealistic (if not entirely unreasonable), and claimed that newspaper journalists should be differentiated from specialised new media journalists who will transform into expert-type journalists in the future by delivering objective, rational and in-depth reportage on a certain subdivided domain. In this conception, new media practitioners remain quite distinct from their peers from the traditional media. However, such a difference has undergone slight changes, that is, traditional media practitioners have begun to admit and accept the possibility that their new media counterparts may be professionalised in the domain of news production. Journalists are consulting about their roles in reference to new media, although they are more inclined towards constriction rather than extension when adjusting their professional boundaries.


Wénlín ABC EDOC shì zài ABC gǔdài Hànyǔ cíyuán cídiǎn de jīchǔ shàng biānxiě, gāi cídiǎn shì Xiàwēiyí Dàxué Chūbǎnshè rè pěng de ABC Xìliè zhīyī; tā háishi dì-yī kuǎn kě sōusuǒ gǔdài Hànyǔ zìyuán de diànzǐ cídiǎn, qí zhòngdiǎn zàiyú yǔyīn hé Zhōnghuá wénhuà gēnyuán de hányì. Jīngguò jīngxīn shèjì, shìyòng yú fēi zhuānyè rényuán hé zhuānyè rénshì, zhè bù cídiǎn fēicháng yìyú shǐyòng, nèiróng yǐ zìmǔ shùnxù biānpái, yōngyǒu zhòngduō chuàngxīn de císhū gōngnéng. Měi ge cítiáo tígōng yī ge huò duō ge kěnéng de cíyuán, fēnjiě fāyīn hé qítā xiāngguān shùjù. Cídiǎn jiāng cífǎ shàng yǒu guānlián de cízǔ héwéi “cí xì”, yǐbiàn gèng qīngxī de chǎnshì yǔ zhī guānlián de pàishēngcí hé qítā cíyuán biànhuà. Wénlín ABC EDOC cídiǎn diànzǐ bǎn nèihán yī piān jùyǒu zhòngyào yìyì de zuòzhě xù, jièshàole zuòzhě duì Hànyǔ zài Yàzhōu de yǔyánxué dìwèi kànfǎ, xiángshùle Hànyǔ yǔyán jíqí yuánxíng zuìchū de yǔyīn hé cífǎ shǔxìng.
Approaches to writing instruction developed in North America have gradually made their presence felt in other parts of the world during recent years. A curricular evaluation of the local needs, instruction, assessments, teacher preparation, and other pedagogical factors is crucial for the successful transmission and integration of those approaches into the new contexts. Set against the background of recent, exuberant scholarly discussions of the issue of transplanting Western writing pedagogies, this article presents an observational report of a typical college English curriculum for non-majors in China, with a focus on its writing component. The study has found that English writing is taught under the guidance of a nationally unified syllabus and examination system. Rather than assisting their students to develop thoughts in writing, teachers in this system are predominantly concerned about the teaching of correct form and test-taking skills. Because of their relatively low economic status in China, English teachers have to work extra hours and have little time to spend on individual students or on furthering their professional training. However, signs of recent Western writing pedagogies, such as pre-writing and multiple-drafting activities, are identified in classrooms and textbook publishing, which indicate the possibility of successful adaptations of the recent Western writing pedagogies in the Chinese context.
Prompts from new media centre editors that ‘users responded intensely’ are often believed as too trivial to be ‘worth writing about’, hence are ultimately ignored by journalists. Editors blame the journalists’ reaction on lack of awareness, that is, journalists lack knowledge of new media, underestimate the intensity of competition between the press industry and commercial new media and overlook user demands. In fact, journalists expressed their concern regarding increasingly intense market competition in both the survey and in-depth interviews. They sensed that when various types of newspapers obtain news clues from new media and as reportage becomes increasingly homogenised, newspapers are confronted with increasingly intense competition.
Before and after 2009, all major press groups in Fujian started to establish e-newspapers and transfer the newspaper contents to their official news websites to cope with the loss of readers as a result of the prevalence of computer technology as well as to maintain and expand the influence of traditional media. The popularity of Weibo and WeChat emerged between 2011 and 2012, thereby prompting the local press groups in Fujian to try out both platforms. During this period, newspapers were the pillar of the press groups’ revenue. Within most press groups in Fujian, Weibo and WeChat remained under the operation of newspaper editors and journalists on a part-time basis and received limited emphasis from the leadership.
The effects of the dominant path of media convergence on the mid-size press industry are the focus of this study. The path chosen by the press industry in other regions of China may differ from the dominant one in Fujian due to the nuances of power structure, level of economic development, size of press group and other factors. For example, the Nanfang Media Group’s choice of the fully transformed path has a bearing on its pioneering spirit and remarkable investment, which are derived from its distance from the centre of political power, the prosperity of the market economy in Guangdong and the surrounding areas, and the considerable assets from accumulation within the media group in the past decades (Yin and Liu, 2013). Nevertheless, Fujian’s case discloses the common challenges that the Chinese press industry will face as they further advance the convergence regardless of which path they choose. This study also develops an analytical framework based on the interplay amongst the state, media and journalists to be used in future research on China’s media convergence.
Though holding relatively positive attitude towards new media as revealed in the survey, local journalists in Fujian’s press groups did not embrace the convergence with new media enthusiastically. The main change brought about with the convergence, after the establishment of the new media centre and the reconstruction of the news production workflow within Fujian’s press groups, is the journalists being currently expected to feed news to the centre so that the gap of contents for the new media outlets will be filled. During the interviews, directors, editors and journalists unanimously agreed that media convergence enhanced the requirements for timeliness and accuracy of news production as well as increased the intensity of journalists’ workload, but failed to radically alter the methods of selecting and writing news, thereby bearing no significant influence on journalists. A few journalists indicated their willingness to commit immediately to the convergence of news production; however, other journalists refused to cooperate with the new media centre.
Wénlín CDL JavaScript shǐyòng Wénlín Zìxíng Miáoshù Yǔyán (CDL) kāifā: CDL shì yī ge XML yìngyòng chéngxù, yī ge jīyú biāozhǔn de zìtǐ hé biānmǎ jìshù, yòngyú jīngquè, jǐncòu de miáoshù, xiǎnshì hé suǒyǐn suǒyǒu Hàn zìfú (Zhōng-Rì-Hán-Yuè=CJKV), bāokuò biānmǎ hé fēi biānmǎ zìfú. Wénlín CDL jìshù dǎpòle 64k zìxíng de zhàng'ài, bù chāoguò 1.4 zhàozìjié biànkě huòdé quántào Unicode 7 CJK zhīchí, tóngshí yěshì nèi zhìyú zìtǐ de jiějué fāng'àn, dúlìyú shǒuxiě shíbié. Wénlín CDL shì yī xiàng gémìngxìng de héxīn jīchǔ jiégòu jìshù, wèi shùjù jiégòu, shùjù cúnchǔ hé shùjù jiāohuàn tígōngle jiānrúpánshí de kuàngjià. Wenlin CDL jìshù kě wúxiàn kuòzhāng Unicode jí, nénggòu bǐ qítā jìshù gèng kuài, gèng zhǔnquè de dú qǔ, shūxiě bìng shíbié CJKV zìtǐ. Tā jiāng chéngwéi CJKV zìtǐ shūrù, suǒyǐn, shíbié hé shūchū de diǎnfàn. Wénlín CDL duì CJKV xùliè jìnxíng páixù. Yù liǎojiě Wénlín CDL jìshù de gèngduō xiángqíng, qǐng diǎnjī cǐchù.
5 See, for example, Li, C.-c., Voices of China: The Interplay of Politics and Journalism (New York: Guilford Press, 1990); Lynch, D.C., After the Propaganda State: Media, Politics, and “Thought Work” in Reformed China (Stanford: Stanford University Press, 1999); Esarey, A., “Cornering the market: state strategies for controlling China's commercial media,” Asian Perspective, Vol. 29, No. 4 (2005), pp. 37–83; Zhao, Y., Communication in China: Political Economy, Power, and Conflict (Lanham: Rowman & Littlefield, 2008); Polumbaum, J. and Lei, X., China Ink: The Changing Face of Chinese Journalism (Lanham: Rowman & Littlefield, 2008).
The majority of the scholarly analyses of convergence under the culture-oriented perspective have focused on its effects on routines, skills and roles. Several studies indicate that media convergence has changed the routine of information gathering, editing and reporting within newsrooms (Phillips et al., 2009); made journalistic practices considerably stressful with the emergence of multiskilling (Wallace, 2013) and posed severe challenges on the traditional roles of news media, such as ‘gatekeeper’ (Williams and Delli Carpini, 2000) and ‘agenda-setter’ (Quandt and Singer, 2009), as the tendency of convergence between professional- and user-produced content becomes increasingly appreciable. Other studies that employed the same approach indicate that although journalists are confronted with multiple challenges, they do not necessarily take a negative stance to evaluating media convergence. Accordingly, the degree of media convergence (Saltzis and Dickinson, 2008) and size of a media organisation (Mishra, 2014) can affect the perceptions journalists have on convergence journalism, thereby affecting their attitude towards media convergence.
5 See, for example, Li, C.-c., Voices of China: The Interplay of Politics and Journalism (New York: Guilford Press, 1990); Lynch, D.C., After the Propaganda State: Media, Politics, and “Thought Work” in Reformed China (Stanford: Stanford University Press, 1999); Esarey, A., “Cornering the market: state strategies for controlling China's commercial media,” Asian Perspective, Vol. 29, No. 4 (2005), pp. 37–83; Zhao, Y., Communication in China: Political Economy, Power, and Conflict (Lanham: Rowman & Littlefield, 2008); Polumbaum, J. and Lei, X., China Ink: The Changing Face of Chinese Journalism (Lanham: Rowman & Littlefield, 2008).
Wénlín 4.1.1 dàiyǒu yī zhǒng chuàngxīn de héxīn jīchǔ jìshù hé chuàngzuò gōngjù, yòngyú shūrù, chuánshū hé zhǎnshì Unicode zhōng wèi bāohán de xīn zì, yìtǐzì, shēngpì zì děng Hànzì. Zìxíng Miáoshù Yǔyán (CDL) shì yī zhǒng chǔlǐ Zhōngwén, Rìwén hé Hánwén (CJK) zìtǐ hé shùjù de gèng jǐncòu, gèng gāoxiào, gèng zhǔnquè de fāngfǎ, tā de chūxiàn jiějué le cāozuò xìtǒng hé xiǎoxíng shèbèi píngtái kāifāzhěmen xīwàng jiějué de wèntí. Wénlín CDL kě chǔlǐ 3000 ge zuì chángyòng zì, xiàoguǒ yōuyú Unicode, tóngshí wúxiàn kuòzhǎn le zìfújí, wèi shìjiè qítā de yònghù tígōng le gèngduō zìyóu hé biànlì. Yǔnxǔ zhōngduān yònghù zài 4 bǎnběn zhōng shǐyòng CDL jìshù, zhè wèi géxīn CJK gōngnéng pūpíng le dàolù.
Two alternative paths are presently available for the local press industry to thoroughly address the issue of content for new media outlets. The first path is to remove the administrative hierarchy between metropolis newspapers and party organs, with the new media centre providing news to both newspapers and new media outlets for further editing. In this case, the new media outlets are not incorporated into the new media centre but remain at the same administrative level as the traditional media departments. Hence, the vertical communication between the new media centre and various new media outlets increases, yet the horizontal interaction between newspapers and new media outlets dramatically reduces. The second path is to insulate the newspapers from converging news production, with the centre producing content independently for new media outlets.
Such standpoint has led local press groups to successively adopt diverse approaches over the past two years to cope with the challenge of new media. Among these approaches, the ‘extendedly ameliorated’ path, namely the implementation of incremental development of newspapers through flow reconstruction whilst retaining their original production system (Mai, 2012: 118), has become a common option of most local press groups. Although media convergence exerts an increasingly significant effect on these local press groups, relevant empirical studies remain limited at present. The current study analyses the perceptions of local newspaper journalists on and evaluations of media convergence through a survey and 20 in-depth interviews so as to disclose the effects of the dominant path of media convergence on local press groups based on the understanding of and reflection on the viewpoints of the ‘insiders’.
Wénlín de héxīn shǐmìng, rú gōngsī xīn zhāngchéng zhōng suǒ guīdìng, shì wèile bāngzhù rénmen xuéxí yǔyán, zhǔyào shì Hànyǔ hé Yīngyǔ; cùjìn bùtóng wénhuà jiān de jiàoyù, lǐjiě, xīnshǎng, hépíng, hézuò, tuánjié yǐjí duōyàngxìng; fāzhǎn yǔyán hé jiàoyù kēxué, jìshù hé jìqiǎo. Duìyú Wénlín Hànyǔ Xuéxí Ruǎnjiàn hé ABC xìliè cídiǎn dāngqián jí wèilái de yònghùmen, chúle tōngguò wéihù, kuòzhǎn, gǎishàn, xǔkě hé chūbǎn zhèxiē zuòpǐn hé qítā zuòpǐn lái zhīchí tāmen, Wénlín hái zhìlìyú wéihù zhèxiē zuòpǐn de wánzhěng, shēngyù hé yuánzé, bǐngchéng le tóngshí shǐyòng pīnyīn (pīnyīn wénzì) hé Hànzì (gèzhǒng xíngshì de Hànyǔ wénzì) de yuánzé miànxiàng Hànyǔ xuéxí, zhēng chuàng zhǔnquèxìng, xuéshùxìng, kěkàoxìng, gōngpíngxìng, xiàoyòng hé zhìliàng de zuìgāo biāozhǔn. Cǐwài, zuòwéi yī ge SPC zǔzhī, Yánjiūsuǒ huì chuánshòu wǒmen de zhuānjiā tuánduì shǐyòng de jìnéng, ràng hòurén yánxù wǒmen de shìyè.
Over the past two decades, China’s media convergence has undergone three stages (Li, 2017; Yu, 2015). Stage I lasted from the mid-1990s to the late 1990s, during which the content of traditional media was transplanted onto the new media platform. Stage II began in the early years of the 21st century, during which traditional media co-produced content with new media. Stage III started in 2006 and continues to the present, during which traditional media collaborated with new media in many aspects. All the stages of media convergence concur with the conglomeration and capitalisation of Chinese media industries. China’s media reform has constituted the basic context of domestic media convergence. For the past 40 years, the main drive of China’s media reform is the state. Each critical time point of media reform cannot proceed without the propulsion of the national policy from top to bottom.
One of the goals of media convergence in the reconstruction process is to modify the journalist–editor relationship by veering from ‘journalist-centred’ to ‘editor-centred’, such that journalists shall mainly undertake the role of information gatherer, whereas editors perform the role of information synthesiser. Regarding real news production, most new media centre editors are recruited from the members of society who are familiar with new media but inexperienced in news gathering and editing; thus, they are mere ‘stevedores’ rather than ‘processors’ of texts. Given that editors lacked the required qualifications, journalists were forced to undertake additional tasks (e.g., verifying information and converting statements from frontline journalists into text) that should have been performed by editors.

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As a manifestation of the administrative barrier within Fujian’s press groups, the estrangement between metropolis newspaper offices and the new media centre has a further impact on the relationship between journalists and editors. Even when providing news, metropolis newspaper journalists are rather reluctant to invest time and energy and are less willing to cooperate with editors than their counterparts from the party organ due to lack of support from departmental leaders. Hence, conflicts over role misplacement frequently occur during their communication with the editors of the new media centre.

As national policy is further loosened, the Chinese media have begun exploring diversified modes of business operation. In 1996, the Guangzhou Daily Newspaper Group announced its foundation, thereby unfolding the prelude of conglomeration of Chinese media. However, the process of conglomeration accelerated significantly only during the turn of the millennium, which has also benefited from the promulgation of a series of polices.

The Chinese media have undergone commercial liberalization during the reform era. Interviews with media practitioners reveal that media reform has brought about three different types of newspapers that differ with respect to their degree of commercial liberalization. Based on a natural experiment during the anti-Japanese protests in Beijing in 2005, this article shows that urban residents found more strongly commercialized newspapers more persuasive than less commercialized newspapers. Provided that the state can enforce press restrictions when needed, commercial liberalization promotes the ability of the state to influence public opinion through the means of the news media.
Therefore, faced with the challenges from we-media runners who have seized advantages in the information communication domain in recent years, local journalists choose to fall back on the principle of objectivity to defend the increasingly blurring boundary between professional and non-professional information providers. The resistance to collaboration thereby demonstrates the journalists’ identification with the ideology of professionalism.

The press groups in Fujian have adopted the extendedly ameliorated path of media convergence. Firstly, they hired a technology company to establish a platform for converging news production. Secondly, a new media centre was established. Thirdly, a group of editors from the press newsroom were transferred to the centre to handle the new media outlets, particularly the website, Weibo, Wechat and APP. Lastly, a process reconstruction of the news production was undertaken by uniformly importing information from multiple sources into the centre for processing and delivering to new media outlets.
The term ‘convergence’ was firstly presented in the 1980s (Menke et al., 2016). Convergence was used to describe the phenomenon where the boundary between different forms of communication blurred in the context of new media with a strong technical colour at the beginning. Most of the early studies on convergence were focused on the innovation of medium technology. The social influence of convergence has gradually unfolded with the development of computer technology and communications networking since the 1990s. Journalism researchers have concentrated on the production process, as well as newsroom routine and culture, thereby endowing the concept of ‘convergence’ with a unique social implication (Quinn, 2005).
The relationship between demographic factors with journalists’ attitude towards new media has been analysed in order to determine the variation among different types of journalists. The results of the ANOVA test indicate that gender and degree of education make no difference to the respondents’ perception about the changes or to their evaluation of new media; the type of newspaper makes no difference to the former but does influences the latter (F = 13.107, df = 1, p < .01). The results of the correlation analysis indicate that the respondents’ ages and years at work are uncorrelated to their perception but positively correlated to their evaluation of new media (r = 0.235, p < .001; r = 0.185, p < .01). Although local journalists in Fujian have generally recognised the changes brought about by new media to newspapers, those from metropolis newspapers were more inclined to provide a negative evaluation to these changes than those from party organs, whilst the older and more experienced the journalists were, the more positive evaluation they tended to provide to new media.
Such a characteristic of we-media has further squeezed the price bidding space of the new media of Fujian press industry in the area of content in local journalists’ eyes. What is worse, the procedure of three-phase censorship that deviates from the logic of new media is not strictly followed during the course of converging news production. Delays in the course of censorship have not only impaired the market competitiveness of the new media in terms of content, but also considerably reduced the willingness of journalists to collaborate with the new media centre.
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