In addition, technology is equally a vital impetus for China’s media reform. Since the reform and opening-up, the popularisation of satellite technology, the Internet, mobile Internet and other technologies have changed the microscopic form, industrial structure, business model and operational mentality of Chinese media as well as accelerated the progress of media reform (Xiong et al., 2010).
Moreover, the decline of influence on public opinion is definitely another key factor that triggered the convergence within Chinese press industry. It is fairly illustrated in Secretary-General Xi Jinping’s ‘8•19’ speech on ‘boost the convergence between traditional and new media, and completely apply new technology in innovating the forms of media communication to seize a commanding height in the field of information communication’ (Liu, 2014). This situation is relatively similar to that of the media conglomeration in the late 1990s, when the legitimacy of reform stemmed from the policy of making domestic media ‘bigger and stronger’ to pre-empt the anticipated foreign competition in the World Trade Organization era. Meanwhile, a majority of domestic press groups were established based on administrative decrees rather than on business demands (Chen and Lee, 1998). Eliminating ‘dispersion’ and ‘chaos’ in the public opinion domain is the key factor that catalyses both media conglomeration and media convergence.
In the early 1990s, Chinese press industry strategically expanded policy limits by using the tension between the state and capitals (Akhavan-Majid, 2004). For example, the operation management strategy through structural ‘zoning’ (Pan, 2000) and the content strategy pursuing newsworthiness to the maximum within the permissible policy scope (Zhao, 1996). Thus, newspapers that transform from ‘Party Mouthpiece’ to ‘Party Publicity Inc.’ (Lee et al., 2006) gained substantial rewards from the market whilst performing their propaganda function.
The case study of Fujian indicates that what lies beneath the persistent tension between newspaper offices and new media departments is substantively a conflict of economic interest that results from the competitive relationship amongst various media outlets within the local press group since the period of media conglomeration. Adjusting the administrative structure cannot reduce this tension as long as the economic logic is not thoroughly challenged.
93 Lai Fei. Jining, zaozhuangdiqu huaxiangshi gailun (An Introduction to Han Stone Pictorial Reliefs at the Jining and Zaozhuang Region) in Zhongguo huaxiangshi quanji, Shandong Han huaxiangshi (di er ji) (Complete Collection of Chinese Stone Pictorial Reliefs, Shandong Stone Pictorial Reliefs (Volume 2))(Jinan: Shandong meishu chubanshe, Zhengzhou: Henan meishu chubanshe, 2000), 19.
In light of the relationship between newspapers and websites, Mai (2012: 118–119) classified the path of media convergence of Chinese press industry into three types: extendedly ameliorated, establishing a convergence platform with newspapers as the core without changing the mechanism of content production and the structure of press industry; new media driven, setting up a convergence platform with new media as the core to push forward newspapers to progressively transform the flow, relationship and concept of news production; and fully transformed, replacing the original structure of the press industry with a brand new structure. Of the three, the ‘extendedly ameliorated’ approach has become the dominant path of media convergence because it rarely challenges the intrinsic structural restriction of press groups.
One of the goals of media convergence in the reconstruction process is to modify the journalist–editor relationship by veering from ‘journalist-centred’ to ‘editor-centred’, such that journalists shall mainly undertake the role of information gatherer, whereas editors perform the role of information synthesiser. Regarding real news production, most new media centre editors are recruited from the members of society who are familiar with new media but inexperienced in news gathering and editing; thus, they are mere ‘stevedores’ rather than ‘processors’ of texts. Given that editors lacked the required qualifications, journalists were forced to undertake additional tasks (e.g., verifying information and converting statements from frontline journalists into text) that should have been performed by editors.
Males and females accounted for 49.6% and 50.4%, respectively, of the total number of respondents. The respondents with a degree of and below junior college accounted for 1.8%, those with bachelor’s degree accounted for 83.5% and those with a master’s degree or above accounted for 14.7%. Among the respondents, 33.2% came from party organs, whilst 66.8% came from metropolis newspapers. The mean age of the respondents was 31 years old (M = 30.63, SD = 6.35) and the mean number of years at work was 8 (M = 7.62, SD = 6.50).
Prompts from new media centre editors that ‘users responded intensely’ are often believed as too trivial to be ‘worth writing about’, hence are ultimately ignored by journalists. Editors blame the journalists’ reaction on lack of awareness, that is, journalists lack knowledge of new media, underestimate the intensity of competition between the press industry and commercial new media and overlook user demands. In fact, journalists expressed their concern regarding increasingly intense market competition in both the survey and in-depth interviews. They sensed that when various types of newspapers obtain news clues from new media and as reportage becomes increasingly homogenised, newspapers are confronted with increasingly intense competition.
Before and after 2006, Chinese scholars began exploring the potential effects of ‘media convergence’ on news production in the context of digitisation being launched pervasively among press groups. A few of these scholars believe that convergence journalism, as an outgrowth of media convergence, provide gradual changes to the actors of news production, news source, communication medium, content, form and workflow (Cai, 2006).
16 Expertise is defined as a source's “presumed knowledge and ability to provide accurate information.” See Petty, R. and Wegener, D., Attitude Change: Multiple Roles for Attitude Change (Boston: McGraw-Hill, 1998), p. 344. Objectivity refers to perceptions of media sources to be unbiased, accurate, fair and “to tell the whole story.” See Iyengar, S. and Kinder, D.R., Psychological Accounts of Agenda-Setting (Beverly Hills: Sage, 1985); Miller, J. and Krosnick, J., “News media impact on the ingredients of presidential evaluations: politically knowledgeable citizens are guided by a trusted source,” American Journal of Political Science, Vol. 44, No. 2 (2000), pp. 301–15.
Wénlín Hànyǔ Xuéxí Ruǎnjiàn 4.0 bǎn bāokuò le yī zhǒng chuàngxīn de héxīn jīchǔ jìshù hé chuàngzuò gōngjù, yòngyú shūrù, chuánshū bìng xiǎnshì Unicode zhōng wèi bāohán de xīn zì, yìtǐzì, shēngpì zì. Zìxíng Miáoshù Yǔyán (CDL) shì yī zhǒng chǔlǐ Zhōngwén, Rìwén hé Hánwén (CJK) zìtǐ hé shùjù de gèng jǐncòu, gèng gāoxiào, gèng zhǔnquè de fāngfǎ, tā de chūxiàn jiějué le cāozuò xìtǒng hé xiǎoxíng shèbèi píngtái kāifāzhěmen xīwàng jiějué de wèntí. Wénlín CDL kě chǔlǐ 3000 ge zuì chángyòng zì, xiàoguǒ yōuyú Unicode, tóngshí wúxiàn kuòzhǎn le zìfújí, wèi shìjiè qítā de yònghù tígōng le gèngduō zìyóu hé biànlì. Yǔnxǔ zhōngduān yònghù zài 4 bǎnběn zhōng shǐyòng CDL jìshù, zhè wèi géxīn CJK gōngnéng pūpíng le dàolù. “Yīdàn zuìzhōng yònghù kāishǐ shǐyòng 4.0 bǎnběn de CDL chuàngzuò gōngjù, héxīn jīchǔ jíchéng de chǎngjǐng biàn de gèng qīngxī, wǒmen xīwàng wǒmen de shòuquán yèwù nénggòu yīncǐ dédào xiǎnzhù tuòzhǎn,” yíngxiāo fùzǒngcái Mǎkè Luóbùlǐ (Mark Roblee) rúcǐ shuōdào.
19 Media scholar Chen Lidan defines xuanchuan as “Using various symbols to communicate a certain concept in order to influence people's thought and their actions.” Chen, L., “Yong shishi shuo hua shi xuanchuan fangfa er bu shi xinwen xiezuo guilu” (“Using facts to write news is a propaganda method and not a rule to write news reports”), Renmin wang (People's Net) (2003).
Wénlín 4.2 fābù de tóngshí, gōngsī wǎngzhàn de zhěngtǐ chóngxīn shèjì yě jiēzhǒng'érlái, xīn wǎngzhàn bāohán le Hànyǔ Pīnyīn, jiǎntǐ, fántǐ xíngshì de fānyì. Wénlín 4.2 Bǎn kě zài wǎngshàng (wenlinshangdian.com) shēngjí, shēngjí fèiyòng jǐn shí Měiyuán, yòngyú zhīchí chǎnpǐn kāifā. Wénlín zuìjìn fābù de Yuēhàn Luósēnnuò biānjí de “Hàn-Yīng Yànyǔ Cídiǎn” ruǎnjiàn de fùfèi yònghùmen: Hànyǔ Yànyǔ ABC Cídiǎn (Hàn-Yīngyǔ Cídiǎn), yě kě zài wǎngshàng yǐ 19.99 Měiyuán gòumǎi, hái jiāng miǎnfèi huòdé Wénlín 4.2 shēngjíbǎn.
Only six days after the first Mop post about the video, the kitten killer’s home was revealed as the town of Luobei in Heilongjiang Province, in the far northeast, and her name — Wang Jiao — was made public, as were her phone number and her employer. Wang Jiao and the cameraman who filmed her were dismissed from what the Chinese call iron rice bowls, government jobs that usually last to retirement and pay a pension until death.
The shortcomings of this study lie in the non-random sampling method on which the survey relies and the theoretical saturation of the findings drawn from the single case. Aside from adopting better sampling techniques, future research can appeal to an editor-centric perspective to comprehensively assess the effects of media convergence. Also, future research can perform comparative analyses across regions or countries to further disclose the multiplicity of convergence effects and its relationship with the regionally and nationally specific factors.
Such a characteristic of we-media has further squeezed the price bidding space of the new media of Fujian press industry in the area of content in local journalists’ eyes. What is worse, the procedure of three-phase censorship that deviates from the logic of new media is not strictly followed during the course of converging news production. Delays in the course of censorship have not only impaired the market competitiveness of the new media in terms of content, but also considerably reduced the willingness of journalists to collaborate with the new media centre.