Another explanation for journalists’ disinclination to provide news to the new media centre is the emerging conflict between the traditional and new media departments of the Fujian press industry. The main purpose of media convergence is to reconstruct the news production workflow and manifest the notion of ‘collection once, generation into varieties and dissemination in diversities’. Under the dominant path, the original departments of new media outlets are incorporated into the department of new media centre. From the perspective of newspaper office leadership, the timeliness of newspapers falls short of new media; thus, the latter is likely to further decrease the market of the former by intensifying the decline in newspaper readers. The leadership in Fujian’s press groups has been exploring various methods of press release, such as supplying basic facts to new media whilst providing details, background information and other in-depth content to newspapers, giving new media the priority to non-exclusive material but offering newspapers the priority to exclusive information. Discords occasionally occurred between the managements of newspaper offices and new media centre nonetheless.
61 After 9 April those Beijingers with the most negative views of Japan avoided newspapers. See D. Stockmann, “What kind of information does the public demand? Getting the news during the 2005 anti-Japanese protests,” in S. Shirk (ed.), Changing Media, Changing China, forthcoming. Since non-readers were excluded from the statistical analysis, avoidance did not influence the empirical results presented here.

Understanding why most interviewed journalists also asserted that the assumptions that ‘multi-skilled journalists’ who can write, photograph and edit is unrealistic (if not entirely unreasonable), and claimed that newspaper journalists should be differentiated from specialised new media journalists who will transform into expert-type journalists in the future by delivering objective, rational and in-depth reportage on a certain subdivided domain. In this conception, new media practitioners remain quite distinct from their peers from the traditional media. However, such a difference has undergone slight changes, that is, traditional media practitioners have begun to admit and accept the possibility that their new media counterparts may be professionalised in the domain of news production. Journalists are consulting about their roles in reference to new media, although they are more inclined towards constriction rather than extension when adjusting their professional boundaries.
Specifically, information released in new media outlets emphasise timeliness. The irreconcilable conflict between such requirement and the principle of accuracy in news reportage concerns many journalists. In China, the common rule of thumb in terms of news production is that ‘the writer is responsible for the consequences of this article’. Journalists are obliged to take full responsibility for all issues engendered by the news under their name. The risk of ‘more mistakes with more releases’ is a shadow that follows news production as a by-product of the censorship system. Thus, the journalists in Fujian’s press groups disregard the new system of censorship as a ‘buffer’ that could protect them from various risks, particularly political ones. When journalists believe that the risk they may undertake outweighs the financial return they will attain, they choose not to cooperate.

These findings provide an empirical foundation to organise the interview outline and the type of interviewees that should be recruited in the following interviews. More importantly, the results mentioned above indicate that journalists in Fujian do embrace new technologies. In this case, the journalists are not resisting media convergence because they have negative attitudes towards new technologies but due to institutional, organisational and value reasons, which will be discussed thoroughly in the next section.
From a new perspective, this article proposes four principles in understanding and interpreting Han dynasty brick and stone pictorial reliefs. First, adopt a three-dimensional viewpoint to describe and interpret the motifs. Second, follow the order of “bottom to top and right to left” in viewing the pictorial presentations. Third, take a holistic approach in appreciation, examining the pictorial reliefs together with the architectures of the tombs, memorial arches and other monumental pieces. And fourth, develop a comprehensive method of investigation, situating the Han pictorial reliefs in the historical context, including social customs, philosophical ideas, intellectual culture, economic development and advances in architecture. In writing the article, the author has done a systematic analysis, using contemporary historical texts, archaeological findings and modern works.
The relationship between demographic factors with journalists’ attitude towards new media has been analysed in order to determine the variation among different types of journalists. The results of the ANOVA test indicate that gender and degree of education make no difference to the respondents’ perception about the changes or to their evaluation of new media; the type of newspaper makes no difference to the former but does influences the latter (F = 13.107, df = 1, p < .01). The results of the correlation analysis indicate that the respondents’ ages and years at work are uncorrelated to their perception but positively correlated to their evaluation of new media (r = 0.235, p < .001; r = 0.185, p < .01). Although local journalists in Fujian have generally recognised the changes brought about by new media to newspapers, those from metropolis newspapers were more inclined to provide a negative evaluation to these changes than those from party organs, whilst the older and more experienced the journalists were, the more positive evaluation they tended to provide to new media.
The differences in the reactions to the encouragement between young/junior and old/senior journalists follow the same logic. Unlike young and junior journalists who hold contract positions, the old and senior journalists have substantial security from their authorised status (Bianzhi), thus rarely suffer from the effects of the living pressure of newspapers regarding current journalistic practices.
The first phase of China’s media reform, that is, the marketisation of Chinese media, began when the State Administration of Publication on the National Press Managers’ Conference officially announced in December 1978 the decision to pursue the business operation of newspapers. Accordingly, a media system with Chinese characteristics, that is, the ‘enterprise management of institutions’, was established. In 1983, the Central Committee of the Communist Party of China promulgated Document No. 37 to encourage business operation within media organisations.
After 2008, ‘full-media’ became a keyword with which scholars discussed China’s press industry. Studies that focus on the effects of full-media are categorised into two approaches: media economics and media performance approaches. The media economics approach generalises the experience and lessons of convergence practices and evaluates the influence of media convergence on newspaper development mostly from a business operation perspective by adopting case studies combined with the personal observation of researchers (cf. Tang and Cao, 2015; Yang, 2013). By contrast, the media performance approach analyses the method of content delivery on the new media platforms of newspapers as well as predicts (through content analysis) the influence of convergence on the progress of society’s democratisation from the media ethics perspective (cf. Huang, 2013; Cai, 2011).
For the Fujian press industry, the local journalists’ attitude towards the new media is moderately positive, which is inconsistent with their negative attitude towards the convergence of newspapers and new media. In other words, the journalists’ pessimistic views on media convergence are not because of their dislike of new technology but a manifestation of the institutional, organisational and individual complexities within the local press industry. The demographic factors that affect the journalists’ attitude towards new media, including age, years at work and type of newspaper, have unique connotations under the Chinese media system.

The historical course of China’s media reform is coincidental with the intrinsic logic of the transformation in national political ideology from contradiction theory to economy-centric theory (Li and Hu, 2013). However, this situation does not mean that political determinism would suffice to explain the China’s media reform. The transformation towards media groups did not result in mere innovation in the size, structure and managerial ideal of the media industries but also the ‘self-consciousness’ of actively promoting economic gains and the tendency to transform capitalism, ownership and other concepts into the reasonable kernel of media reform (Li and Hu, 2013). These have transcended far beyond the scope of what ‘political correctness’ can explain.
Zhang, ZA, Wu, T (2014) The dual declinings of propagandist and watchdog roles: Chinese Journalists’ media role perception, the changes and antecedents (‘Xuanchuanzhe’ yu ‘jianduzhe’ de shaungchong shiwei: Zhongguo xinwen congyezhe meijie juese renzhi, bianqian ji yingxiang yinsu). Journal of International Communication (Guoji xinwenjie) 6: 61–75.
In 2001, the Publicity Department of CPC, the State Administration of Radio, Film and Television, and the General Administration of Press and Publication issued the Opinions on Intensifying Reform on the Press, Publication, Radio, Film and Television Industry, thereby establishing media groups concurrently operating across media and regions as well as initiating comprehensive adjustment over the capital structure of media groups. In late 2003, the State Council issued the Notice on Printing and Issuing Two Regulations on Supporting the Transformation of Cultural Industry Development and that of Cultural Institutions into Enterprises in the Trail of Cultural System Reform to separate operative resources, such as the contents of social service and mass entertainment, from present institutional resources, thereby realising capitalisation. Henceforth, the gap in the domain of ownership has been further filled, and media reform has entered the capitalisation stage.
To date, the pioneers of media convergence have been thoroughly studied by Chinese scholars. Other press groups as ‘followers’, particularly the local press groups that adopted the dominant path of media convergence, are less highlighted and rarely focused within journalism studies, although they are precisely what have crucially endowed the landscape of Chinese media convergence with regional diversity. The deficiency in relevant studies has entailed the urgent choice of Chinese scholars to focus on media convergence of the local press industry.
These findings provide an empirical foundation to organise the interview outline and the type of interviewees that should be recruited in the following interviews. More importantly, the results mentioned above indicate that journalists in Fujian do embrace new technologies. In this case, the journalists are not resisting media convergence because they have negative attitudes towards new technologies but due to institutional, organisational and value reasons, which will be discussed thoroughly in the next section.
As a manifestation of the administrative barrier within Fujian’s press groups, the estrangement between metropolis newspaper offices and the new media centre has a further impact on the relationship between journalists and editors. Even when providing news, metropolis newspaper journalists are rather reluctant to invest time and energy and are less willing to cooperate with editors than their counterparts from the party organ due to lack of support from departmental leaders. Hence, conflicts over role misplacement frequently occur during their communication with the editors of the new media centre.
Although the effects of media convergence from a journalist perspective are waiting to be further examined, a comprehensive view of the influence of new media on news production has been achieved by Chinese scholars. Existing studies indicate that journalists’ attitude towards new media is complicated. On one hand, the use of the Internet and we-media, such as QQ, Weibo and Wechat, has been considered to boost the work efficiency of journalists, enhance the interaction between journalists and readers and increase the transparency of news production (Wu and Zhang, 2015). On the other hand, an increasing number of journalists are also inclined to attribute the loss of ‘journalistic ideal’ to multifarious pressures provoked by new media (Ding and Wei, 2014). Given the development of mobile Internet and prevalence of we-media since the beginning of the 21st century, information and opinions from netizens have gradually become a vital source of news for traditional media and the public (Wu and Zhang, 2015; Zhou, 2014), and the objectivity of news and journalists’ authoritativeness have been impaired (Bai, 2013).

67 The side with higher audience costs is less likely to back down in a foreign crisis and therefore able to signal its intentions to other states more credibly than states with lower audience costs. Fearon, J.D., “Domestic political audiences and the escalation of international disputes,” American Political Science Review, Vol. 88, No. 3 (1994), pp. 577–92. Weiss, “Powerful patriots: nationalism, diplomacy and the strategic logic of anti-foreign protest.”