Lā Qiáolā (La Jolla), Jiālìfúníyàzhōu -- Wénlín Yánjiūsuǒ, Zhōngwén Xuéxí Ruǎnjiàn Wénlín hé CDL zìtǐ jìshù kāifāshāng, xuānbù tuīchū Wénlín Miǎnfèibǎn 4.2 bǎn. Wénlín zuìxīn de 4.2 miǎnfèibǎn ruǎnjiàn kě zài wǎngshàng (wenlinshangdian.com) miǎnfèi xiàzài. Miǎnfèi bǎnběn bāokuò sān ge cídiǎn, bāohán gòngjì 1100 duō ge cítiáo, 200 duō ge yùzhì chōurènkǎ de cíhuì xìnxī, bìng kěyǐ chuàngjiàn xīn cídiǎn; 1,400 duō ge chángyòngzì de zhú bǐ yǎnshì; jiǎntǐ, fántǐ hé pīnyīn de shìlì wénběn. Gōngnéng qiángdà de miǎnfèibǎn kě xiǎnshì chāoguò 80,000 ge Hànzì, dàiyǒu wánzhěng de Unicode 7.1 “Tǒngyī Hànzì” zìfú xiǎnshì, zhīchí de shūrù fāngshì bāokuò yīnbiāo pīnyīn zhuǎnhuàn, shǒuxiě shíbié, dāngè Hànzì yǔ fùhécí/cízǔ de pīnyīn zhuǎnhuàn.
Lā Qiáolā (La Jolla), Jiālìfúníyàzhōu -- Wénlín Yánjiūsuǒ Shèhuì Mùdì Gōngsī (SPC), Wénlín Hànyǔ Xuéxí Ruǎnjiàn 4.2 bǎn fāxíng gōngsī, xuānbù chénglì dì-yī rèn dǒngshìhuì. Dǒngshìhuì chéngyuán bāokuò: Xiàwēiyí Dàxué Mǎnuò'ā Xiàoqū Zhōngguó Yánjiū Zhōngxīn fùzhǔrèn, Kǒngzǐ Yánjiūsuǒ zhǔrèn Rèn Yǒuméi (Cynthia Ning) bóshì; Shèngdìyàgē Zhōulì Dàxué Zhōngwén Xiàngmù gùwèn, “Měiguó Zhōngwén Jiàoshī Xuéhuì Zázhì” zhǔbiān Zhāng Zhèngshēng (Zheng-sheng Zhang); Richard Cook bóshì (yánjiū yǔ kāifā fùzǒngcái); Elisabeth Nuboer-Ranjhan (zhànlüè guānxì fùzǒngcái); Mark Roblee（yíngxiāo fùzǒngcái) hé Tom Bishop (zǒngcái).
The official statement of the objective of Chinese media convergence lies in coping with the impacts generated by the information technology revolution. Among those impacts, the decline of tax revenue from media industries is one catalyst for Chinese press industry playing the role of precursor of media convergence. In early 2008, the press industry experienced a phase of decline. Until 2015, China’s television industry firstly took on a gliding tendency in the totality of media placement of advertising, with the advertising revenue of the radio industry deemed stable (Cui, 2016: 6–8). The decline of circulation and advertising revenues is often attributed to the effects of new media such as the change in habits of media exposure. Compared with the radio and television industries, the press industry faces more severe challenges from new media. Thus, the press industry has substantially intense impetus to converge with new media.
As national policy is further loosened, the Chinese media have begun exploring diversified modes of business operation. In 1996, the Guangzhou Daily Newspaper Group announced its foundation, thereby unfolding the prelude of conglomeration of Chinese media. However, the process of conglomeration accelerated significantly only during the turn of the millennium, which has also benefited from the promulgation of a series of polices.
The term ‘convergence’ was firstly presented in the 1980s (Menke et al., 2016). Convergence was used to describe the phenomenon where the boundary between different forms of communication blurred in the context of new media with a strong technical colour at the beginning. Most of the early studies on convergence were focused on the innovation of medium technology. The social influence of convergence has gradually unfolded with the development of computer technology and communications networking since the 1990s. Journalism researchers have concentrated on the production process, as well as newsroom routine and culture, thereby endowing the concept of ‘convergence’ with a unique social implication (Quinn, 2005).
To encourage journalist participation, two newspaper offices in Fujian added ‘volume of news feeding to the centre’ in the their evaluation criteria for journalists’ work performance, and many other newspaper offices of the Fujian press industry stimulated the initiatives of journalists for collaboration with ‘remuneration’ (Gaofei) or ‘points’ (Gaofen). Motivated by these measures, a few journalists, particularly the young and junior ones, began to adapt to the working tempo of rapid publication and multiple ‘versions’ of a single story. Others, particularly old and senior journalists, had matter-of-fact reactions to such measures. From the perspective of the new media centre director and editors, the material rewards that failed to meet the expectations of journalists constitute the primary reason for the latter’s reluctance to participate. However, interviews with journalists revealed that their willingness to contribute news reports depends on the anticipated gains and the price that they may have to pay for such participation.
The convergence of the Chinese press industry is thus not merely driven by the effects of market and technological logic from the beginning, unlike in Europe and the US. Actually, administrative fiat plays a pivotal role in each stage of media convergence. In the mid- and late-1990s, the ‘touch the Internet’ (Chuwang) action of traditional news media, namely to establish online newspapers, has expanded from the top to the bottom ‘with the state as the sponsor’ and ‘national media as the leader’ (Yu, 2015). Similarly, the establishment of the collaborative relationship between newspapers and new media on news production at the beginning of the 21st century could not be realised without the intervention of administrative power, including approval for the construction of major news websites to produce original contents. The wave of media convergence that began in 2006 is also inseparable from the official ‘top-down design’. In the beginning, the General Administration of Press and Publication was concurrently the project sponsor and supervisor. Thereafter, the media convergence of the central and local press industry has been highly dependent on financial funding from the government.
A total of 300 journalists from 11 newspapers (i.e., Xiamen Daily, Xiamen Evening News, Haixi Morning Post, Strait Herald, Fujian Daily, Strait Urban News, Fuzhou Daily, Fuzhou Evening News, Quanzhou Evening News, Southeast Morning Post and Strait Urban News (South Fujian Edition)) in the cities of Xiamen, Fuzhou and Quanzhou responded to the survey. After eliminating the ones in which over half of the questions were left unanswered, 274 copies of effective questionnaires were retrieved (completion rate = 91.3%). Two researchers input the data into SPSS19.0 and performed mutual proofreading to correct the errors in the manual input process. The findings were obtained through analysis of variance (ANOVA) and correlation analysis.
67 The side with higher audience costs is less likely to back down in a foreign crisis and therefore able to signal its intentions to other states more credibly than states with lower audience costs. Fearon, J.D., “Domestic political audiences and the escalation of international disputes,” American Political Science Review, Vol. 88, No. 3 (1994), pp. 577–92. Weiss, “Powerful patriots: nationalism, diplomacy and the strategic logic of anti-foreign protest.”
The majority of the scholarly analyses of convergence under the culture-oriented perspective have focused on its effects on routines, skills and roles. Several studies indicate that media convergence has changed the routine of information gathering, editing and reporting within newsrooms (Phillips et al., 2009); made journalistic practices considerably stressful with the emergence of multiskilling (Wallace, 2013) and posed severe challenges on the traditional roles of news media, such as ‘gatekeeper’ (Williams and Delli Carpini, 2000) and ‘agenda-setter’ (Quandt and Singer, 2009), as the tendency of convergence between professional- and user-produced content becomes increasingly appreciable. Other studies that employed the same approach indicate that although journalists are confronted with multiple challenges, they do not necessarily take a negative stance to evaluating media convergence. Accordingly, the degree of media convergence (Saltzis and Dickinson, 2008) and size of a media organisation (Mishra, 2014) can affect the perceptions journalists have on convergence journalism, thereby affecting their attitude towards media convergence.